
Swiss International Style
A precise grid, asymmetrical balance and economical typography give complex information a clear visual order.
Economical shapes and expressive composition balance a clean structure with warmth and visual wit.
Mid-century modern design, covering roughly the 1930s to the 1960s, balanced expression with efficiency and utility, recasting housewares, furniture and decorative arts as functional yet attractive products in which form followed function. Drawing on European modernists such as the Bauhaus, American industrial designers including Raymond Loewy and Walter Dorwin Teague produced sleek, sweeping, streamlined shapes in the 1930s. By the early 1950s a more refined American modern design had emerged, and mid-century designers worked with new materials such as plastic, aluminium and molded plywood, finished in natural tones and bold colours, with Charles and Ray Eames among the most prominent.
Historical context draws on the supplied research. Approximate periods are reference ranges, not fixed boundaries. See the source notes below.
Use one memorable visual idea and support it with a disciplined layout.
This broad label should not flatten distinct designers into one palette.