
Flat design
Simple silhouettes and clear color separation reduce the appearance of physical depth.
Even outlines and clean color areas keep figures and environments equally readable.
Ligne claire, or the Clear Line, names the clarity of drawing, composition and narrative that Hergé developed while creating the Tintin adventures. After World War II a group of contributors to Tintin Weekly followed his principles and became known as the Hergé School, later the Brussels School, including Edgar P. Jacobs and Bob de Moor. The Dutch label Klare Lijn appeared in print in February 1977, when Joost Swarte used it as the title of a booklet for a Rotterdam Tintin exhibition. The approach was then reinterpreted by Dutch underground and French-language comics artists.
Historical context draws on the supplied research. Approximate periods are reference ranges, not fixed boundaries. See the source notes below.
Use clear silhouettes and avoid unnecessary shading.
Simple outlines still require careful perspective and composition.